
This really speeds up the process of auditioning and editing sounds.Īt its most basic, Stutter Edit 2 can feel like something of a cheat button – load a Gesture and you instantly add complex, BT-style sound design, with none of the work. ShaperBox’s customisation tools make this a more powerful and nuanced take on the bitcrusher than any rival on the market right now.Ī more like for like alternative, Glitch 2 is a big step forward for the former king of glitch plugins, although the loss of some of v1's functionality irks a little.Ī smart addition for v2 is a new Auto mode, where gestures automatically loop without the need to be triggered.

These are stored in the library in banks, each laid out across an individual MIDI notes, the idea being that these can be live triggered using a controller or automated from a MIDI track. As before, overall processes within Stutter Edit are referred to as Gestures – each effectively a one-shot rhythmic effect preset. My only slight complaint is the lack of preset curve shapes, as found in similar tools like Cableguys ShaperBox. It’s an excellent addition, which adds a considerable amount of extra depth to its sound design potential.
#IZOTOPE STUTTER EDIT MULTIPLE COMPUTERS FULL#
Modulation is shaped using an expandable curve editor window, which lets users have full custom control of how effects progress over the course of an edit. Its popularity has endured thanks to its balance between power and ease These are essentially customisable LFOs that can be applied to any effect parameter. Throughout this effect section, iZotope have introduced a system of new ‘Time Variant Modifiers’.

- Stutter Engine: Create instant rhythmic patterns out of any sound: trap up your hi-hat.

Elevate your productions and get a bottomless well of inspiration in a single plugin with Stutter Edit 2. Dive deeper with new banks and gestures filled with pre-made percussive patterns, soaring pop vocal edits, glitched-out dubstep breakdowns, and beyond.

Create exciting movement with the new Curve Editor and control any effect in tempo.
